Paul Gauguin, in full
Eugène-Henri-Paul Gauguin, (born June 7, 1848,
Paris, France—died May 8, 1903, Atuona,
Hiva Oa,
Marquesas Islands, French Polynesia), French
painter,
printmaker, and
sculptor who sought to achieve a “primitive” expression of spiritual and emotional states in his work. The artist, whose work has been categorized as
Post-Impressionist,
Synthetist, and
Symbolist, is particularly well known for his creative relationship with
Vincent van Gogh as well as for his self-imposed exile in
Tahiti,
French Polynesia. His artistic experiments influenced many avant-garde developments in the early 20th century.
Legacy
Gauguin’s influence was immense and varied. His
legacy rests partly in his dramatic decision to reject the materialism of contemporary
culture in favour of a more spiritual, unfettered lifestyle. It also rests in his tireless experimentation. Scholars have long identified him with a range of stylistic movements, and the challenge of defining his
oeuvre, particularly the late work, attests to the uniqueness of his vision. Along with the work of his great contemporaries Cézanne and van Gogh, Gauguin’s
innovations inspired a whole generation of artists. In 1889–90 many of the young followers who had gathered around him at Pont-Aven utilized Gauguin’s ideas to form the
Nabisgroup. The Norwegian painter
Edvard Munch owed much to Gauguin’s use of line, and the painters of the
Fauve group—
Henri Matisse in particular—profited from his use of colour in their own daring
compositions. In Germany, too, Gauguin’s influence was strong in the work of German Expressionists such as
Ernst Ludwig Kirchner. Gauguin’s use of Oceanic iconography and his stylistic simplifications greatly affected the young
Pablo Picasso, inspiring his own appreciation of
African art and hence the evolution of
Cubism. In this way, through both his stylistic advances and his rejection of
empiricalrepresentation in favour of
conceptual representation, Gauguin helped open the door to the development of 20th-century art.